August 2009

A Lesson in Respectful Hiring Practices

by Marian Schembari on August 31, 2009

By Elizabeth Perovich

A good friend of mine, Margaret Thatcher, recently experienced the labors of Lady Luck herself.  Many months into her yet-to-be successful job search, Margaret began to lose the hope and optimism that propelled her desire in the first place.  Fighting for her place in the dog-eat-dog world of publishing, a place that she has certainly earned, Margaret was frazzle-dazzle excited when she received a phone call from Mark Twain, the hiring manager at Dream Company, asking if she would be at all interested in interviewing for an entry-level editorial position.

As a direct result of this phone call, Margaret suffered the inevitable cheek cramps of full perma-smile glory, displayed proudly for no less than three days.  She interfaced with Dream Company, following the various constituent parts of the interview process we have all come to know and hate.  Phone interview.  Successful.  Invitation for round one formal interview.  Wait for phone call.  Successful.  Invitation for final round formal interview.  Wait for decision.  Receive infamous phone call of regret regarding non-existent future with Dream Company.

With this rejection came much confusion.  Never leaving a stone unturned, Margaret channeled her confusion through professional inquiry, carefully penning a letter to Mr. Twain himself.  She was candid with her request for post-interview feedback and expected the same professional courtesy from Mr. Twain.  He did, after all, invite her to apply for this position.

Eager to utilize the sage advice of Mr. Twain, Margaret stalked her inbox.  Two days, 13 hours, 26 minutes and 42 seconds had lapsed before the following e-mail glowed on the screen of Margaret’s computer:

TO:         Margaret Thatcher

FROM:   Tori Spelling

RE:         Request for Interview Feedback glowed on Margaret’s screen.

_________________________________

Dear Ms. Thatcher,

I regret to inform you that company policy does not permit the exchange of feedback proceeding interviews.

Sincerely,

Tori Spelling, HR Associate


What just happened?  Margaret became acutely aware of her heart beat as it pulsed rapidly through her sweaty temples, spiraling downward through the clenched fist and elbow supporting her head.  Scattered thoughts abounded.  I e-mailed Mr. Twain, not some Joe-Blo-Nobody in the HR department. Tori Spelling is so not Mr. Twain.  Screw Dream Company.  He couldn’t even tell me himself that providing feedback is against company policy- I became some HR minion’s problem.

This scenario displays the ubiquitous lack of professional courtesy plaguing hiring practices today.  In 2006, Taleo Research surveyed over 1,500 job seekers; the study concluded that “the single most important frustration that candidates have today is the lack of good feedback.” This begs the question: Should companies provide feedback to candidates following rejection?

“An employer owes you candid, detailed feedback after a job interview,” states Nick Corcodilos, a seasoned headhunter and management consultant and author of How to Work with Headhunters & How to Make Headhunters Work for You.  Why?  “Because it’s the right thing to do.”

The vast majority of us never receive any feedback after a job interview, and we have come to accept this as just another part of the hiring process.  Corcodilos continues, “the answer is not to accept how companies behave,” rather, the job hungry public at large must “raise our standards even higher…expect more…let companies know it.”

Among other debated reasons, some companies feel that offering candidates constructive criticism poses the threat of a law suit or risks bad PR if the candidate is in disagreement with said feedback.  Others focus on the cost of doing so, acting under the faulty assumption that taking the time to provide “candid, detailed feedback,” does nothing to improve a company’s bottom line.  Companies do not realize that utilizing disrespectful hiring practices, as in the case of Margaret Thatcher, provides them with the bad PR they fear in the first place.  Do they think Margaret is going to spread the word about how Dream Company treats prospective employees with utmost respect?  Doubtful.

Companies must recognize each candidate as a prospective client, as a customer.  Dream Company lost Margaret’s service, along with however many other hopeful interviewees they “couldn’t” respond to over the years.  One day, Margaret Thatcher will be in publishing, and one day Dream Company might desire her services.  Unfortunately for Dream Company, she will be too busy advising the CEO of Second Choice Company, who also rejected her many years ago.  The difference?  Second Choice Company did so with courtesy and class, providing her with the feedback she needed to land a job at Third Choice Company the next time around.

*All names have been changed to protect parties involved.

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Goodreads review: The Crowning Glory of Cally Lily Ponder

by Marian Schembari on August 31, 2009

The Crowning Glory of Calla Lily Ponder: A NovelThe Crowning Glory of Calla Lily Ponder: A Novel by Rebecca Wells

My rating: 4 of 5 stars
There’s something about Rebecca Wells that makes you feel all warm and fuzzy inside. Her writing, her story… it’s like they’re from a different time but relevant all at once. I can’t say enough good things about Wells’ writing.
Crowning Glory is no Ya-Ya, but the Southern charm and sisterhoods are still there.The characters are fantastic – Calla is hit or miss unfortunately, but her young love Tuck is a riot, her hairdresser friends are quirky and fun, and childhood friend Sukie is deep and endearing and obnoxious (but in a good way). I especially loved the story of her falling in love with her gay hairdressing teacher. Classic.
The story, on the other hand, had only its moments. Calla’s childhood is filled with wonder and I couldn’t read it fast enough. But the Moon Lady spiritual stuff was pretty twee and didn’t add anything to the story, which was a shame, because I think it could have. The ending was also incredibly rushed and I feel like I missed out on something and had to re-read. But no, Wells just kind of tied up loose ends without really giving us anything to sink our teeth in to.
So all in all, definitely read this book. It’s moving and whimsical and Wells’ writing style never fails. Maybe some better editing or a little more attention on Wells’ part could have made this book worthy of the full five stars.

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Expert Experience: Jayne Carapezzi from HarperCollins

by Marian Schembari on August 28, 2009

One of the coolest “get in to publishing” stories I’ve heard. Jayne, an Editorial Assistant at HarperCollins, had the same difficulties as the rest of us, but ended up landing her dream job. Her experience gives me the little hope I need when I start to seriously consider working at Burger King…

How long have you been in publishing?harpercollis

Two and a half years.

What was your previous experience?

I had never worked in publishing before being hired as an Editorial Assistant in 2007. I studied English and Journalism in college and had planned to go into a career in Broadcast Journalism. After interning at CBS News Productions and WFMZ TV 69 in Allentown, I realized I didn’t really love the news. I had loved the idea of it: the glamour of TV (which, as it turns out, is remarkably unglamorous), and the prestige and recognizability that can come with a career in the “entertainment” business. But, I found the short deadlines tiresome, and I was particularly put off when required to push someone to speak to me when they weren’t willing. Although I was talking to so many people on a daily basis, I never really got to know anyone. I missed the relationships that develop by working on a project over the long term, and I longed to deviate from the news formula (the who, what, when, where and why), and be more creative.

And so, I turned down acceptance to the Medill School of Journalism (truly a sad day, merely for the fact that I had worked toward a goal and then so suddenly felt like I desperately wanted to run from it), and began to do some soul searching: What would make me happy? What could I be passionate about? I didn’t know the answer right away. And so, I spent several months waitressing and watching Little Bear on TV. which I hadn’t done since first semester freshman year of college when my roommate came back to the dorm while I was tuned into Nick Jr. and asked with horror, “What are you watching?!” I thought I was whittling away the time, but this was the first indicator of what made me happy, even at 22.

Later that summer, I browsed through a local flea market and emerged with just one item: an old, old copy of Mother Goose. I hadn’t the slightest idea what I was going to do with it, other than flip through it once and keep it on my shelves, but I loved the nostalgia of it and felt that I had to have it. And that’s when it finally occurred to me: I could work on children’s books, and I could help a new generation of kids discover wonderful stories that would feed their imagination and open them up to reading forever.


What was the job hunt like for you?

After deciding that I wanted to work in publishing, I submitted resumes for EVERY job I could find online—small publishing houses, big ones, jobs in adult and children’s books, jobs in text books, editorial positions, marketing and publicity positions. I just wanted to get some experience in the industry. I tried to do it on my own, but I felt like my resume wasn’t getting noticed, and I knew with the skill set I had developed through my work in journalism, I was qualified for a career in any facet of publishing.

Luckily, I have an uncle who worked in publishing years ago and kept in contact with some of his former colleagues. They graciously helped my resume get noticed. After a whirlwind of interviews in many areas of publishing, I received an offer for a job doing publicity for adult books at a major New York City publishing house. I was happy to have an offer, but at the same time, I felt myself hesitate. I wanted experience, any experience, but I was a bit sad that it wasn’t exactly the job that I had wished for.

But the stars were aligning for me. The next day, I received a call about a job in Children’s Editorial at HarperCollins. I had my opportunity! The trouble was, I had to get back to the other publishing house and either accept or turn down their offer. I quickly booked the interview at Harper, and I emerged with a great feeling about the job. I also emerged with three projects to test my writing and editorial eye. PANIC! I didn’t have much time to decide on the publicity job, which meant I didn’t have the luxury of taking a long weekend to work on my assignments and see how the HarperCollins job panned out.

And so I pulled an all-nighter. My first one ever (I hadn’t even done it in college)! I wrote a killer reader’s report for a teen manuscript, drafted flaps for a picture book, and gave a detailed analysis as to why I felt the company should reject a submission they received. I sent in my work first thing the next morning, explaining my situation and why I had done the assignments so quickly (but with much, much thought!). I asked the editors I interviewed with if they might get back to me that day, with a note that I, of course, understood if that wasn’t possible. Less than thirty minutes later, I had the job. After months and months of interviewing, my perfect job came to me so easily, and I really believe that that is how it should be. I now try to keep that in mind when anything isn’t going my way.

What do you like/dislike about your job?

I have the most wonderful managers. The job itself is wonderful, and I feel cared for and about by the company as a whole, but it is my bosses who have my loyalty. They are so nurturing, both personally and professionally, and they are a large part of why I have been so successful thus far. They want to see me do well and have given me so much support. I also love how I am challenged every day as an adult—to make decisions, meet goals and acquire new responsibilities—and yet, the child in me feels alive here. It is a wonderful balance of growing and staying connected to the things that are most important. I suppose the only thing I don’t like is the amount of reading that I do have to take home on nights and weekends, but at the same time, so much of it is enjoyable.

Tips for people who want to get into publishing:

Know what is out there. Read books that are on the current bestseller list and identify the reasons why you think they are successful. Make contacts, and don’t be too proud to reach out to the ones you already have. In this industry, it can be difficult without them! Also, I think my swift turnaround on my editorial assignments showed how much I wanted the job. Do anything to go above and beyond!

Top 3 favorite books of all time (and none of them are allowed to be classics!)

Matilda by Roald Dahl, Little Bear by Else Minarik and illustrated by Maurice Sendak, and Ramona by Beverly Cleary (though I suppose all are classics in the children’s world). All are remarkable characters.

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I am sick and tired of your negativity

by Marian Schembari on August 27, 2009

Seriously. I am so bored with people telling me that publishers are laying off rather than hiring, that the industry’s struggling and trying to get a job there is like hopping on a sinking ship. Where’s the positive attitude people?! While the digital revolution is definitely hitting its stride and the industry is in a strange place, books will never go away. When have people ever stopped reading? Telling stories? That’s what it means to be human. Maybe (though I don’t want to think about it) books as we know them could become extinct, but that doesn’t mean they’ll dissapear. Just because they’re on a Kindle instead of a well worn paperback or bought from Amazon instead of the quaint local bookstore doesn’t mean publishing is dead. Things just need to change, that’s all.

And there are (yay!) plenty of big and small houses that are embracing this change and going with the flow rather than resisting. These are the companies that will come out on top. I want to be a part of that! So don’t tell me it’s next to impossible to get a job in publishing. While many companies are indeed experiencing a hiring freeze, I’m finding that’s not as much the case for entry-level positions. We’re cheap labor and are always needed. Maybe the competition’s a little bigger and a little more qualified because of layoffs, but that doesn’t mean I, or anyone else, should give up.

I started a discussion on the LinkedIn group Book Publishing Professionals about trying to get into publishing. There have been a surprising number of responses, most of them giving some variation of “good luck, you’ll need it”, or comments from people in the same boat as me. Many of them have been looking for twice as long as I have, sending out hundreds of applications but hearing nothing. Which is where this blog comes in! You absolutely cannot send out hundreds of applications and expect to hear anything back. I have gotten more interviews in the month since I started this “campaign” than I did in all the months combined after graduation. But I digress…

Stop the negativity! Embrace the changes in the industry, look ahead to all the cool things we can be doing and the creative and brilliant people out there who want to help. Books will never die, but the publishing recession will take longer to settle unless everyone starts thinking a little more positively.

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Goodreads review: The Impostor’s Daughter

by Marian Schembari on August 24, 2009

The Impostor’s Daughter: A True Memoir by Laurie Sandell

My rating: 3 of 5 stars
Despite my 3-star review, I really liked The Impostor’s Daughter. It was both entertaining and a quick read. But it didn’t stick with me the way the best books should. Sandell’s story is interesting, but she skimmed over aspects of her life I would have loved to hear more about. Whether she was uncomfortable divulging (which I actually highly doubt given a lot of the content) or limited by the “graphic novel” status, it felt a little incomplete.
Though, as both a character in the book and the author, I liked Laurie Sandell quite a bit. She’s charming, has an interesting story and is completely, and often heartbreakingly, honest. But everyone else in the book? Eh. First of all, she spent a lot of time on the on-again/off-again boyfriend “Ben”. He was boring and offered little to her overall story. Her family annoyed me, and I can’t figure out whether that was her intention or not. Her father is obviously a complete nut job and I had a hard time understanding her fascination with him. Instead of a conman he really is just a crazy person – significantly less interesting if you ask me.
Nevertheless, I do recommend this book based on its ability to suck you in and its entertainment value. Though great literature it is not and the little momentum it’s picked up since publication will most likely fizzle and die sooner rather than later.

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