September 2009

Why I’m In Love With Chris Brogan

by Marian Schembari on September 25, 2009

(CC) Randy Stewart, blog.stewtopia.com

(CC) Randy Stewart, blog.stewtopia.com

So, not entirely sure how this happened, but I had no idea who Chris Brogan was until a few days ago. How is this possible you ask? Again, no idea. But you should absolutely not be using social media for personal branding purposes until you read his blog. Because. It’s. Awesome.

He doesn’t need my promotion. Check out all his followers on Twitter (it’s a lot), but I can’t help writing a love letter to this brilliant, brilliant man.

Just go to his site, since I can’t really do it justice. There’s a ton of stuff out there (meaning the internet) making it practically impossible to sort through, never mind learn anything. Chris has it all in one place and explains it all perfectly.

When I first decided to get with the program and start using social media as a job hunting tool, I was bombarded with information. It took a while, but I finally weeded through it all and thought I knew a lot. Until I found Chris. Seriously, the man knows everything: Web tools I didn’t know existed, blogging ideas, advice on personal branding… The list goes on.

So if you’re even remotely considering using the world wide web for any reason besides watching Hulu, read everything Chris Brogan has ever written.

And hopefully – if I’m following his advice correctly – he will some day come across my blog, I’ll profess my undying love, and then we can finally run away together…


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How Not To Be Cocky

by Marian Schembari on September 25, 2009


I was talking to some people today about finding work, when the subject of interview cockiness came up. Funnily enough, I just had a similar conversation with a fellow member of the WNBA.

When my job search first started, I was pretty shy. I dreaded those phone calls to publishing houses when following up on a resume. But as these things go, I eventually got better. Just comparing my first interview to the last one (where I actually got hired), I realize how much changed in the three months it took to land a gig.

One question I constantly struggled with was: when does confident become cocky? I knew I was qualified, and honestly didn’t get too beat up when I was turned down. Because so often it’s not personal – someone with amazing qualifications came in, the boss’s kid needed a job, you just didn’t click with the interviewer (and yes, maybe that is personal, but do you really want to work for someone you don’t click with?).

But knowing you’re qualified can turn into arrogance. And it wasn’t until I found that balance that I finally nailed that interview.

My advice:

  1. Firm handshake – don’t knock it!
  2. Eye contact (duh)
  3. Impress with your qualifications, but don’t hesitate to say you’re excited about learning more about the industry! We’re not expected to know everything.That doesn’t mean come unprepared.
  4. Ask questions! Good ones! It shows you respect your interviewers opinion/what they have to say… Ask about the future of the industry (publishing is at a crossroads people, a serious topic for debate! Ask where Publisher X is going with the new technology/digital revolution), how the interviewer got their job, what they’re looking for in an employee, etc etc.

So know your strengths and play them up. But also be enthusiastic about learning more. Your future boss knows more than you (usually) so don’t act like you’re doing them a favor. And finally, be creative! Do interesting, out-of-the-box things, without acting like a complete idiot in the process.

How exactly do you accomplish that? Well, you’re asking the wrong person.


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When I first started my job hunt, I never once considered freelancing. When I think “freelancer” I think someone with experience, who’s been in Industry X for years and years and eventually broke off to do their own thing. Naive 22-year-olds do not freelance. We are interns and assistants and work for scraps.

But what I’m finding is that due to the economy, a lot of the big publishers are outsourcing. Just because there have been layoffs doesn’t mean the need for labor has decreased any. According to Publishing Trends, book publicists (outside of the big houses) are getting a ton more work. PR funding has been cut so lesser-known authors go elsewhere for their publicity needs. And it’s my impression that this is the case for all aspects of publishing – sales, editorial, marketing (especially digital)…

The first experience I had with the idea of freelancing was from a website called The Snooze Blog. An old boss runs the site and asked me to edit the posts before publication. I was paid per post, and it was a pretty sweet gig. My boss trusted my ideas and my writing, paid me per post (and always on time) and I did out of the comfort of my old home. Then, after my Facebook ads ran, Debbie Stier from HarperStudio contacted me about doing hyper-targeted ads for the imprint’s upcoming books.

Which is when I really started thinking about it. I mean, why not? More than one person was emailing me after those ads came out, saying I should consider striking out on my own. In the words of one such advice-giver:

“Typesetting, cover design, editing, PR, marketing–all of that an author can procure for herself, increasingly cheaply. It was the physical distribution the author couldn’t do, and the more that becomes irrelevant in the digital age, the more the companies in which you’re seeking employment become irrelevant. But, as your Harper friend said, authors will still write books (perhaps you’ll be one of them one day!), and they’ll still need editors, layout people, PR people, book marketers, etc. And those are all functions that lend themselves to freelance very well…”

According to Publishing Trends, their list of book publicists has increased 50% since 2004, and smaller firms have only seen an increase in business after the recession, not the other way around.

But is freelance is smart move for the average 22-year-old? Not sure… I don’t know anyone my age who’s done it. I’ve met a few young people here and there who have branched out on their own, but they’re still young, so it’s hard to gauge how successful they’ve been. Also, to be perfectly honest, if I were writing a book, I’d prefer someone who did (or had) worked at a big company, with years of experience under their belt. Some young whippersnapper just wouldn’t cut it.

My suggestion is to pick up freelance gigs if/when you can. The money will help tide you over until you find something more permanent, plus add to your resume. I can’t tell you how much having HarperStudio on my resume helped. Even though I wasn’t a permanent or long-term employee, I think it showed I had serious potential if a house that big wanted my services.

I also highly suggest you pick up social media skills when you can. Publishing houses are picking up on the craze and are using it to their advantage. Problem is, many of them have no clue how to use it effectively. Freelance writing and editing jobs are abundant too, if you know where to look. Some suggestions:

Craigslist

Mediabistro Freelance Marketplace

The book Free Agent Nation by Dan Pink

And just Google “freelance publishing” and search around.

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The Bestseller vs. The Recommendation

by Marian Schembari on September 21, 2009

books

I don’t know what it is, but I’ve read a string of extraordinarily bad books this week. The funny part though, is that I’ve been trying to read all the books on the bestseller list (all in the name of “research”!). A literary agent gave me this advice so I would be prepared and in-the-know in regards to the industry. His advice was great. The books? Not so much.

Usually when I finish a book I write a review on Goodreads and paste it on the blog. But I can’t bring myself to write one bad review after another. It’s depressing. I’d rather write about the awesome books I’ve read and share the love. Like the Suzanne Collins Hunger Games books. Amazing. Can’t recommend them enough. This week though has been killer. So far I’ve read:

  • Adriana Trigiani’s Very Valentine - Trigiani cannot even write a color into her book without saying things like “cornmeal yellow” and “grass green”. It’s just GREEN goddammit!
  • Lev Grossman’s The Magicians - Couldn’t finish it, the characters were that depressing. Who doesn’t dream of finding out their favorite books are real? Grossman takes all that magic and awe and makes it as ugly and unattractive as possible. Only a true genius can turn magic into something boring and scientific. Yuck is all I have to say to that.
  • Audrey Niffenegger’s The Time Traveler’s Wife - Amazing story, probably one of my favorites actually, but really awful writing. And does she have to say all that stuff in French? A translation would be nice.
  • Sandra Brown’s Smash Cut -Just finished this today. Story was not as bad as I had anticipated, but still, not sure why all her books end up bestsellers.

See how depressing that is? This is why I haven’t written proper reviews for any of them. Part of me feels like I’ve wasted my time, there are so many fantastic books out there I could be reading. At the same time though, now that I’m working in publishing, it’s important for me to not only know what’s on the bestseller list, but actually have read them.

On the other hand, books that have been recommended to me, via Goodreads or friends, I usually end up loving forever. These are the books that made me want to be in publishing in the first place. A lot of them were bestsellers, but aren’t current. So I’m ending up having to pick and choose — there aren’t enough hours in the day!

Okay. Rant over.

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Goodreads review: Catching Fire

by Marian Schembari on September 8, 2009

Catching Fire (Hunger Games, #2)Catching Fire by Suzanne Collins

My rating: 5 of 5 stars
I don’t think it’s possible for me to say enough good things about this book.  The Hunger Games was fantastic, and Catching Fire not only met its predecessor but surpassed it. Usually rare in sequels, but Collins is a genius! I just saw her interviewed where she says her idea for the trilogy came from channel surfing between reality TV and footage of Iraq. Catching Fire is exactly that.

I couldn’t put it down and stayed up until 3am last night finishing it up. It’s that entertaining/disturbing/beautiful/engrossing. My favorite thing about this book is that it’s scary without being unrealistic. Too many times authors have these fantastic “bad guys” that are super-bad but just too extreme to be  truly taken seriously. Colllins’ Capitol is one of the few really terrifying things I’ve read… ever. And it’s not ridiculous, it’s horrifyingly relevant.

Like I said, I have no complaints about this book. At one point (wont give spoilers) I thought the author was going in a direction that would have been redundant, but NO! Seriously, this woman is a genius. Where does she come up with this stuff?

Now, I’m not entirely sure it’s YA material. Think Harry Potter – some dark stuff, but certain themes you only catch with age. Anyway, this book is the perfect balance of social commentary and romance and adventure. READ. IT.

View all my reviews >>

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